By Morgan Van Beck

As a double major in Political Science and Hispanic Studies with a minor in Latino/Latin American Studies, I thought that I had a pretty good grasp on Latin American history and culture. While this was not incorrect, I was not aware of just how complex Brazil is and how little I really knew about it. None of my Hispanic Studies classes touched upon Brazil, and aside from speaking Portuguese rather than Spanish, it has a very distinct culture and history from the rest of Latin America. What I’ve learned while living in Salvador and traveling around Bahia is that a history of repression and inequality breeds resistance, which in turn creates culture. In short, resistance is culture. 

It helps to turn back the clock to 1500 when the Portuguese first landed in Bahia and started the vicious process of colonization. This led to the forced enslavement and relocation of millions of Africans to Brazil to work on plantations and in mines (Periera 2020). Hundreds of years later, in 1888, Brazil was the last country in the western hemisphere to abolish slavery (Periera 2020). The fact that it took so long to abolish slavery shows how integral it was to the Brazilian economy and how many salves suffered. Salvador is the city in Brazil with the highest percentage of the population being Afro-Brazilian. “Bahia is a state marked by racial inequality,” but it is also marked by a strong presence of traditions of African origin (Pinho 2020, 1). While in Salvador, we saw not only this inequality, but also many cultural elements that sprouted from African traditions and were preserved as a form of resistance. 

A prime example of resistance is salve revolts and the formation of quilombos. While in Minnesota, we learned about historic slave revolts in Bahia and about the quilombo communities that were formed by escaped slaves (dos Santos 2024). Quilombos had contact with the outside world and actively traded, but they were also perfect microcosms to preserve African traditions and resist the cultural impositions of the Europeans. We visited Quilombo Kaonge while in Brazil and were able to see for ourselves how the descendants of escaped slaves maintained the traditional practices that their ancestors preserved. We had the opportunity to learn about the cough syrup and palm oil that they produce and to learn from them about the importance of resisting cultural imposition. 

Carnival might be Brazil’s most famous event. People around the world know what carnival is, but they don’t know where it came from. Carnival has roots in African music, dance, and performance, and when we went to the carnival museum, we learned all about the lesser-known African history (at least for people in the US) of carnival. At the end of the nineteenth century and the beginning of the twentieth century, whites were threatened by African cultural elements in carnival and did their best to “civilize” carnival by emphasizing more European elements (Pinho 2020, 7). However, carnival still retains its African influence. This pattern repeats across Brazilian cultural elements. In response to repression by white elites, Afro-Brazilians resisted and preserved their African-rooted traditions while creating a rich Brazilian culture.

Another example of resistance becoming culture is the practice of candomblé. Candomblé is a religion brought to Brazil by slaves from Africa. We were first introduced to it in the book Crooked Plow, where many of the characters actively practiced candomblé (Vieira Junior 2019). Honestly, I didn’t entirely understand candomblé while we were reading the book back in Minnesota, but since being here, we have had a chance to learn a lot more about the religion that is also a symbol of resistance. Rather than submit to pressure by the Catholic church, African slaves were able to preserve their rich religious history. Now, Candomblé is celebrated as part of Bahian identity. We saw statues of orishas on our ride from the airport and now, after visiting various candomblé temples and hearing lectures about it, we have come to understand just how important it is to life here. ​

Brazilian music and dance are also heavily influenced by African traditions brought by slaves and preserved as a form of resistance. Now, Afro-Brazilians honor and remember their ancestors by continuing to learn these styles of music and dance. We were lucky enough to participate in a samba class, where we immediately noticed strong African rhythms and drumming in the music. We also went to a percussion workshop with Mario Pam, who taught us that drumming and music were not only used as tools of resistance by slaves and their immediate descendants, but by modern Brazilians as well. Afro-Brazilians today are still using music to express themselves and decry the inequalities that they suffer. This means that modern culture is still being shaped by Afro-Brazilian resistance.

Like percussive music and samba dancing, capoeira is another distinctive element of Brazilian culture that has its roots in African traditions. Capoeira is an Afro-Brazilian martial art with elements of dance, music, and acrobatics. It exists today because of efforts by Afro-Brazilians to preserve and promote their culture and heritage. Before coming to Brazil, I had no clue what capoeira was, but now, I see it everywhere. We participated in two Capoeira workshops (one in Salvador and one in Lencois) and saw it performed as part of a folkloric ballet. However, its pervasiveness in culture means that we’ve also seen people doing capoeira at the beach, in parks, and in other public places. It’s just one more element of popular Brazilian culture that comes from resistance efforts by slaves and their descendants.  

​After nearly three weeks in Brazil, one of the things that I noticed the most was the prevalence of Afro-Brazilian resistance, which forms critical parts of Brazilian culture. Almost every day we saw examples of it, and they were not limited to the subjects I discussed above. We also saw Afro-Brazilian resistance in educational institutions, graffiti/street art, and so many other things. Race, inequality, and culture are all woven together into a complex knot. The oppression and inequality that Black Brazilians faced led them to create a rich culture of resistance that they are still contributing to today as inequality and racism continue to take new forms. Brazilian culture is distinctly marked by African traditions introduced by slavery, and it would not be the same without them. Therefore, to fully appreciate Brazilian culture, we need to understand its roots in African tradition and Afro-Brazilian resistance. 

Sources:
Dos Santos, Pedro. “Slave Revolts in Bahia.” YouTube. Uploaded by Pedro dos Santos, 13 February 2024, https://www.youtube.com/watch?v=WO_syIfkYVQ.

Pereira, Anthony. Modern Brazil a very short introduction. Oxford, United Kingdom: Oxford University Press, 2020.
​
Pinho, Osmundo. “Race and Cultural Politics in Bahia.” In Oxford Research Encyclopedia of Latin American History, 2020.
 
Vieira Junior, Itamar. Crooked Plow. Verso Books, 2019. 

Morgan Van Beck is a senior Political Science and Hispanic Studies double major with a minor in Latino/Latin American Studies. She is originally from Sartell, Minnesota. Morgan's most formative educational experience was traveling around Guatemala with the Guatemala Human Rights Commission, which inspired the theme of her senior distinguished thesis: human rights abuses in post-conflict societies. Morgan recently received a Fulbright grant to teach English in Colombia and will be moving there shortly after graduation. ​

By Allison Parker and Joselyn Rubio-Correa

During our first week here in Salvador, Brazil, we’ve felt the vibrant and strong influence of Afro-Brazilian culture. The city reflects the traditions of African origin that live on today. Before our departure, we learned about the current racial and gender inequalities in Brazil, and specific to the state of Bahia. Salvador was, originally, the capital of Bahia during the period when the Portuguese enslaved the Indigenous people of Brazil and Africans. Although the Portuguese attempted to control and diminish Indigenous and African culture, the people and traditions held strong. As our professor quotes “oppression leads to resistance”. Examples of oppression and attempts to erase culture in Afro-Brazilians would be in the 1900’s when the religions of Candomblé and Umbanda were illegal to practice and labeled as “the devil” in the eyes of Christianity. Although Candomblé and Umbanda are no longer illegal, they continue to be demonized by the Christian church, as noted by Alcides, Pai De Santo. In addition, Capoiera, an Afro-Brazilian traditional practice, was criminalized and illegal to practice in the late 1800’s and into the 1900’s. Nationally, the practice was outlawed and people who practiced Capoiera faced harmful consequences and even death. However, it was still practiced in secret, passed down to the children and is now recognized as a national practice or symbol belonging to Afro-Brazilians. 

The Candomblé religion originated from the religious syncretism of West African religions and Christianity. Unlike Christianity, in Candomblé there is no belief of a devil, heaven, or hell. To become a follower of Candomblé, you have to know Portuguese and be initiated into the religion by a pai de santo (priest). Once you have been accepted into the religion, you are assigned an Orixá (god) and it is with you until death. Followers of Candomblé worship many different Orixás and often provide them with offerings as a way of giving thanks.

Another tradition practiced is the art of Capoeira. As defined by Osmundo Pinho, social anthropologist in Bahia, “Capoeira is the expressive cultural African origin that combines ritual, dance, and body fight, nowadays practiced as a sport around the world” (Pinho, 2020). We learned that Capoeira is an art form like a dance that resembles a fight. However, Capoeira can be in the form of a real fight if a person feels threatened. As we were humbled by our flexibility and coordination skills, we learned the value and belief of Capoeira. Music, dance, movements and spirituality are crucial in the practice of Capoeira. The art is within the spiritual energy called axé (Rehard, 2021). Rehard uses a definition quoted by the scholar Barabara Browning “pure potentiality, the power-to-make-things-happen”. Rehard states that “Capoeiristas are able to engage in bodily dialogues with each other while using personal agency to shape the flow of the game for their own advantage” (Rehard, 2021). From our first-hand sight, capoeira is a controlled, strong, elegant practice that takes dedication, skill, and passion. The capoeiristas should never lose eye contact with one another, even when they are upside down or flipping. During our trip to Lençóis, Brazil, we were able to watch many Capoeira performances by students and teachers. In all the performances, the dancers moved in sync with one another and always watched one another, to prepare for their partner's next move. For musical expression, we saw the berimbau, atabaque, pandeiro, and agogo. (Itacare, 2024). Singing and clapping are encouraged as the audience gathers around the roda, or ring.
 

Both of these Afro-Brazilian traditions focus on the connection to corpo, the Portuguese word for body. Capoeira uses the body as a form of dance and expression while Candomblé uses the body to connect with nature and the environment. Our time here has shown us the importance of the connection between the mind and body as well as our place in relationship to the natural world. 

Sources:
Itacaré. “Capoeira - Itacaré Beach - Bahia - Brazil.” Www.itacare.com, 2024, www.itacare.com/itacare/capoeira/. Accessed 21 May 2024.
​
Pinho, Osmundo. “Race and Cultural Politics in Bahia.” Oxford Research Encyclopedia of Latin American History, 17 Dec. 2020, https://doi.org/10.1093/acrefore/9780199366439.013.946. Accessed 23 May 2024.
 
Rehard, Abby. ““Axé, Capoeira!”” ReVista, 25 Jan. 2021, revista.drclas.harvard.edu/axe-capoeira/. Accessed 21 May 2024.

Allison Parker is a sophomore at CSB+SJU pursuing a major in Sociology with an Anthropology concentration, and a minor in Global Health. Her hometown is Belview, located in southwest Minnesota. She’s interested in learning about social behaviors and better understanding social, health, and cultural life issues. She looks forward to experiencing Brazilian culture and applying her studies abroad in Salvador. ​

By Carter ​Potthoff and Morgan Van Beck

After a missed flight and 24 hours in Chicago, we were more than happy to finally land in Salvador and settle in. On the way to the hotel in the middle of rush hour traffic, we saw a massive building with the words “Jesus Cristo é o senhor” and a huge logo reading “Universal”; it was one of the Protestant churches that have exploded in popularity in Brazil in the past few decades. Being the future social scientists that we are, we both instantly knew that we needed to investigate further and decided to use our first blog post for this trip to dive deeper into religion in Brazil and reflect on our experiences with religion here in Bahia thus far. The religious dynamic of Bahia is super interesting because it not only includes the rapidly growing Protestant movements, but is also the birthplace of Candomblé, one of the most practiced Afro Brazilian religions. 

Our brief introduction to Candomblé included a lecture by Professor Willys Santos, who is a scholar on Brazilian religions at UFBA and also a Candomblé priest as well as a lecture and visit to a terreiro, a place in which Candomblé is practiced, by and alongside Alcides, another Candomblé priest or Pai de Santo. These have been our favorite lectures thus far. We learned that Candomblé is not just a religion, but a way of life. Followers of Candomblé focus on their connection with their own self, their communities, and nature, and they connect with these things via their orixás, or the spirits that are with someone from birth until after death.
 
Pai Alcides talked about the important role of women in Candomblé, which is a matriarchal religion, because female slaves from Africa were the ones who kept the African roots of Candomblé alive. He also talked to us about the role Candomblé has in its followers lives and how followers engage with the religion. He explained that the terreiro created a space for family that was taken away by the slave trade. It is a place for community and gathering. He also explained that followers of Candomblé go to priests based on their needs, whether physical, emotional, relationship, social/economic, etc. Based on that, the Pai de Santo then provides direction to help us better understand ourselves and what we need in order to resolve the issue. Pai Alcides said “O Candomblé vai equilibrar, não curar” or “Candomblé will balance, not cure”. This line, for us, is what Candomblé is all about; seeking balance within one’s life in order to progress forward.
 
Learning about Candomblé here in Brazil has also helped us to retroactively better understand some of the material that we read in class, specifically, the book Crooked Plow by Itamar Vieira Junior. This book gave us a lot of insight into the dynamics of race, gender, and inequality in Brazil. It also centered on Afro Brazilian religion, which we were very unfamiliar with. Specifically, Jarê, which was practiced by the family that the book centered on. Zeca was a Jarê healer, but before coming to Brazil, we couldn’t fully understand what his role in the community really was (Vieira Junior 2019). Our time with Professor Willys Santos and Pai Alcides taught us the principles of Candomblé and other Afro Brazilian religions in an approachable way that made us appreciate Crooked Plow so much more.
 
As two students from Stearns County, we both really enjoyed diving into Candomblé. It’s something that we would never have had the chance to experience back home. Something that we are a little more familiar with is Protestantism; although, we were not familiar with its role in Brazil before this class. In Professor Willys Santos’s lecture, he talked about how Protestantism and Candomblé interact in Brazil. He explained that Afro Brazilian religions have historically been targeted and suppressed by those in power, who have historically been Catholic and are now increasingly Protestant. This tied into part of the lecture that Flavia Biroli gave at the CSBSJU Multicultural Center. She discussed the ways in which Protestantism is exploding in Brazil, its tie to conservative movements, and its effect on the decline of Catholicism. We also read about the changing religious dynamics of Brazil in Pereira’s Modern Brazil: A Very Short Introduction and discussed it with Karine Belarmino, a PhD student who researches clientelism within Brazilian Protestant movements. Karine explained that these Protestant denominations are gaining strength by providing services in communities that lack them, which makes adherents flock to their congregations, thus “buying” their votes in exchange for these services (Belarmino). This has culminated in a strong Brazilian Protestant movement, both political and religious, which was reflected in the grandiose church that we saw on our drive home from the airport.
 
An influx of congregants also means that Protestant churches are gaining political power. In addition to listening to Flavia Biroli’s lecture, we also read her 2016 article titled Political Violence Against Women in Brazil: Expressions and Definitions. In this article, Flavia discussed how a strong conservative movement and backlash is resulting in political violence against women, but she also discussed the role of Protestant churches in this conservative movement. Many prominent Protestants are gaining political power by winning the votes of the growing number of Protestants in Brazil. These politicians, who are sometimes pastors, campaign on platforms of Protestant values, such as traditional family and gender roles (Biroli 2016). These Protestant politicians are also able to promote policies that target non-Christians in Brazil, such as those who practice Candomblé, which brings us full circle back to Professor Willys Santos’s lecture on our first full day here.  
 
It has been a whirlwind first couple of days, but we are looking forward to everything else that Brazil has in store for us!

​Photos from a shrine to one of the Candomblé orixás, Yemanjá, in Salvador, Brazil. 

Sources:
​
Belarmino, Karine. “Clients of God: Introduction.” Ph.D. Dissertation.       University of Minnesota. Forthcoming.

Biroli, Flávia. “Political Violence against Women in Brazil: Expressions and Definitions /
Violência Política Contra as Mulheres No Brasil: Manifestações e Definições.” Revista Direito e Práxis 7, no. 15 (September 14, 2016).

Pereira, Anthony. Modern Brazil a very short introduction. Oxford, United Kingdom: Oxford University Press, 2020.

Vieira Junior, Itamar. Crooked Plow. Verso Books, 2019.

Morgan Van Beck is a senior Political Science and Hispanic Studies double major with a minor in Latino/Latin American Studies. She is originally from Sartell, Minnesota. Morgan's most formative educational experience was traveling around Guatemala with the Guatemala Human Rights Commission, which inspired the theme of her senior distinguished thesis: human rights abuses in post-conflict societies. Morgan recently received a Fulbright grant to teach English in Colombia and will be moving there shortly after graduation. ​

By Kailee Hagl and Hailee Thayer.

Candomblé is one of many Afro-Brazilian religions that are present in Brazil. Candomblé, along with the other religions, are key aspects of Brazilian culture and heritage. To understand Candomblé, one needs to understand how it was made. Candomblé was made through syncretism. Syncretism is the “process by which elements of 1 religion are assimilated into another religion resulting in a change in the nature of the religion. It creates an entirely new religion” (Lecture on Umbanda and Candomblé, May 16, 2022). This syncretism can be seen in the Sisterhood of Good Death, which practices both Catholic and Candomblé traditions. Cachoeira (where the Sisterhood of Good Death is located) has become a major place for Candomblé and for the preservation of African culture and origins (Lecture on African Diaspora, May 19, 2022). This preservation is a key part of Candomblé because the traditions and histories are passed down to Mãe or Pai de Santo and they are tasked with keeping the information safe. We also learned that there are about an even number of women and men leading the Terreiros, which is vastly different from Catholicism where women are not allowed to be priests.

During Candomblé ceremonies, and even just on Fridays, white is typically worn. For women, a white dress is the usual, and for men, white pants and a white top is normal (Shirey 2012). Our host mom dresses in all white on Fridays along with white beads to represent Oxalá, one of the 12 Orixás. In Candomblé, practioners worship 12 spirits, or gods, called Orixás. The Orixás that are recognized in Brazil are Oxalá, Lemanjá, Xangô, Iansã, Oxóssi, Ogum, Oxum, Exú, Omulu, Nanã, Ossaim, and Oxumaré (Guess which one(s) are Hailee’s). Each Orixá is associated with a color and nature element as well as having a unique symbol.

Kailee’s Experience
I was not allowed to watch Hailee have her shells read, so I waited outside with our host parents. While waiting, I was allowed to take pictures of the outside of the Terreiro. The Terreiro is similar to a church, or place of worship. It is also referred to as a house. The walls were sculpted beautifully with the various Orixás, some finished with color and some not. Outside of the gate, the walls and sidewalk were also sculpted with the faces of the Orixás. Our host dad, Jorge, said everything was sculpted by hand, and is similar to papier mâché. He said it takes a long time to fully complete a sculpture as the details must be perfected before the paint can be added on.

I took this time to interview our dad about the positions or roles they have in this specific Terreiro of Candomblé, since they are practioners. Jorge said his role was to take videos and photos for the Terreiro. He said he also helps prepare for special occasions. Our host mom, Licia, said her role was to prepare food for the Terreiro, and most importantly to make sure the Orixás have everything they need and want. As people were walking in and out of sections of the Terreiro, Jorge and Licia were telling me which Orixás they were. It was interesting because they carried themselves and were dressed in a way that mirrored their Orixás. Finally, since outsiders were not allowed to take photos or videos of the inside of the Terreiro especially while a reading is in session, Jorge was able to show me some of the videos he had taken. Although I did get to go inside of the Terreiro before Hailee had her reading, I did not have much time to get a good look at anything, so it was awesome that Jorge had all this footage of the inside due to his role in Candomblé.

Hailee’s Experience
At the beginning of the trip, I had no idea that I would learn about Afro-Brazilian Religions. Fast forward a couple of weeks and here I am, partaking in a ritual to learn which Orixá is mine and about my life. In the weeks before this, we had a lecture with Pai Alcides about how Candomblé is practiced. He shared that before he started his journey in the religion, he would have seizures (Lecture on Candomblé Practices, May 16, 2022). Ailments like seizures are common among those who were drawn to Candomblé. Injuries or sicknesses are a way for the Orixás to communicate and pull the person towards Candomblé. Something similar was happening to me, but I was having dreams instead of sicknesses or injuries. I had multiple dreams that I was getting my shells read (the ritual I mentioned earlier). The shells are a form of divination that a Mae or Pai do Santos uses to communicate with the Orixás. I did not have just one dream either, it was multiple. The dreams were explained in my reading as a way my Orixás were ‘calling’ me to the Terreiro.

My host parents are practioners of Candomblé and took me to their Terreiro, Bábataósilé. Their Pai do Santos, Pai Mario, was the one who did my shell reading. During the reading I was told who my Orixás are and how they can affect my life. My Orixás are Xangô, Ogum, and Oxalá. Xangô is the strongest one along with Ogum. Both Orixás are warriors. Pai Mario said that these two warriors explain why I am feisty. Along with being a warrior Xangô is associated with lighting and thunder and Ogum is associated with war and iron

During the shell reading, I found out various things about my life and about previous events that happened. Through the shells, Pai Mario was able to see health problems in my family (both my grandparents had recent shoulder surgeries; they’re fine don’t worry). My Orixás were able to communicate with me through Pai Mario and said to be careful with betrayal in my life (which had happened earlier this year). There was so much that was explained in this ritual that it is hard to put it into words. After my reading, Pai Mario told me which colored beads I should have based on my Orixás. My host parents gifted me a white and red strand to represent them.

Works Cited

Pai Alcides. “Lecture on Candomblé Practices” May 16, 2022. Salvador, Bahia, Brazil.

Santos, Willys. Lecture on “Umbanda and Candomblé: The History, Tenets, and Practices” May
16, 2022, Salvador, Brazil.

Vatin, Xavier. “The African Diaspora in Bahia: A Socio-Anthropological Perspective” May 19,
2022. Cachoeira, Bahia, Brazil.

Shirey, Heather. 2012. “Candomblé Beads and Identity in Salvador Da Bahia,
Brazil.” Nova Religion: The Journal of Alternative and Emergent Religions 16 (1): 36–60. https://doi.org/10.1525/nr.2012.16.1.36.

Kailee Hagl is a junior at CSB/SJU and is majoring in Political Science with a focus on law. She also is pursuing a minor in Hispanic Studies, as well as a minor in Latin American Studies. She is originally from Sauk Centre, Minnesota. Kailee enjoys learning about politics in other countries, social justice issues, and analyzing court cases. She looks forward to applying her experience abroad to her academics in her final year at CSB/SJU.

Hailee Thayer recently graduated from the College of Saint Benedict and Saint John's University with a major in Political Science and a minor in Gender Studies. She is from Prior Lake Minnesota. Hailee enjoys learning about the intersection of gender and aspects of everyday life as well as political representation. Hailee also enjoys reading in her free time and playing rugby.

By Hailee Thayer

In the two weeks that we’ve been in Bahia, Brazil, we have learned more about the culture and political landscape than we could ever have in the classroom. We have been staying with a host family, which allowed us to immerse ourselves fully in Brazilian culture. I first started noticing Brazilian Elections and politics.

On the first day, we were driving from the airport to the hotel. There was a lot of graffiti, but one that stuck out to me was the phrase “Fora Bolsonaro” which translates to “Out Bolsonaro” in English.

This has still stayed with me and shows the general political leaning of the city. This dynamic is even present in my host home. When I returned home one night, I went to sit with my host dad to watch soccer. At first he turned on the news and turned-on CNN. The Republican Primaries were on, and the topic of conversation turned to politics. My host dad asked if Trump still had a following in the United States, I responded yes and used it as an opportunity to see which way he leaned. I asked if he liked Bolsonaro, and he replied “No, I think he is a bad ruler and a bit authoritarian”. This is a common thought with everyone that I’ve interacted with. I also learned that Lula, served as the Brazilian President from 2003 to 2010, was instrumental for rural communities, specifically for education. Lula and Dilma Rousseff introduced quotas to the Brazilian education system for higher education. These quotas are there in order to diversify the population of higher education institutions. They have greatly increased the number of Black students that attend both public and private universities. On that same train of thought, gender quotas have increased the presence of women in Brazilian Political Parties. But despite the quota, the number of women elected to government positions remains low (Gatto and Wylie 2021, 3). The representation of women in politics is an important issue to me, and to see gender quotas working (even if the number of women in government positions is still what we consider to be low), it gives me hope for the future.

Another important aspect of Brazilian culture is Carnaval. Many people think of Carnaval as a big parade with extravagant costumes, but it is so much more than that. Carnaval used to be a celebration for Brazilian Elites (also known as the Portuguese/Europeans) and would take place inside houses. Salves during this time started dancing and celebrating in the streets. This later became what Carnaval is today. It represents racial pride and many of the songs and instruments played are of African origin. Carnaval in Rio de Janeiro “became the most holy ritual of mestiço nationalism and the celebration of mestiçagem” (Eakin 2017, 91). Mestiçagem refers to ‘the mixing’ and is the term for the mixing of mainly African and Indigenous people, but also between African, Indigenous, and European people. This idea was present during Carnaval, but now Carnaval is a celebration of Black Pride. We also went to Casa do Carnaval, a museum all about the history and culture of Carnaval. We saw costumes from different ‘blocos’ or Carnaval groups. We also saw different individual costumes and one of them reminded me about the Mulata we read about in class. The Mulata is described as “thee most potent image of Brazilian sexuality” (Eakin 2017, 108). The Mulata became the ideal type of woman that every woman aspired to be. These lead to interesting gender dynamics within Brazilian society, but also within Carnaval itself. Below is an image of a costume that a woman wore during Carnaval. The dress itself looks like it emphasizes the chest area of the woman and her curves with how tight the dress is. There are still manifestations of the Mulata in Brazilian society and Carnaval.
 

The last interesting and important aspect of Brazilian culture are Afro-Brazilian religions. The one we learned the most about is Candomblé. This is a religion that was created through syncretism. Syncretism is the “process by which elements of 1 religion are assimilated into another religion resulting in a change in the nature of the religion. It creates an entirely new religion” (Lecture on Umbanda and Candomblé, May 16, 2022). When the Slave Trade was going on in Brazil, African people were taken from all over the continent and brought them to Brazil. This created a mixing of different religious traditions and customs and with Catholicism which resulted in Umbanda and Candomblé. In Candomblé, practioners worship 12 spirits, or gods, called Orixás. The Orixás that are recognized in Brazil are Oxalá, Lemanjá, Xangô, Iansã, Oxóssi, Ogum, Oxum, Exú, Omulu, Nanã, Ossaim, and Oxumaré. Because of the mixing with Catholicism, the Orixás have been associated with Catholic Saints. For example, the Orixá, Oxalá is associated with Jesus. Each Orixá is associated with a color and nature element as well as having a unique symbol. Many Brazilians practice Candomblé and I consider it to be a key aspect of Afro-Brazilian culture and heritage.
 
 
Works Cited
Eakin, Marshall C. “Communicating and Understanding Mestiçagem Radio, Samba, and Carnaval.” Essay. In Becoming Brazilian: Race and National Identity in Twentieth-Century Brazil, 79–106. Cambridge University Press, 2017.

Eakin, Marshall C. “Visualizing Mestiçagem Literature, Film, and the Mulata.” Essay. In Becoming Brazilian: Race and National Identity in Twentieth-Century Brazil, 107–35. Cambridge University Press, 2017.

Gatto, Malu AC, and Kristin N Wylie. “Informal Institutions and Gendered Candidate Selection in Brazilian Parties.” Party Politics, 2021, 1–12. https://doi.org/10.1177/13540688211008842.

Santos, Willys. Lecture on “Umbanda and Candomblé: The History, Tenets, and Practices” May
16, 2022, Salvador, Brazil.

This is my first post sharing interesting links that can help you understand more about Brazil. First, some fun news from Salvador, where we will spend most of our time in May of 2020. This year a large shopping mall in the city hired its first Black Santa. Even though the city is over 80% black or of mixed descent, this is the first time a mall decided to change the perspective of what it means to be Santa. Here is a link to the news from a Brazilian website. This was the only link I found in English.

Below I will now share two videos. The first is a classic video from PBS and Henry Louis Gates Jr. that is part of his Black in Latin America series. The episode on Brazil does a good job at showing some of the basic issues with the idea of racial democracy in Brazil.

The second video is an interesting video posted by the Chinese Global Television Network (CGTN), posted in May of 2019, about the city of Salvador and the African roots in the city. This video provides students going a glimpse of what you will see in May of 2020. 

I will keep adding more videos, podcasts, and newspaper articles that I find about Brazil. If you happen to find something interesting, please share with me on Twitter, down here in the comments section, or via email.

WHAT I AM LISTENING TO RIGHT NOW: BaianaSystem and Tropkillaz- Saci (Remix)
​